Praised for his “powerful vocal presence” (NRC Netherlands) and “shimmering high notes” (Seen and Heard International), in the 2021/2022 season, rising young Argentinian-Spaniard-American tenor Jose Simerilla Romero will join Nederlandse Reisopera as both Alfredo in a touring production of La traviata, and Rodolfo in La bohéme. He will also be joining Teatro Lirico D'Europa and the Daytona Symphony as the Duke of Mantua in their production of Rigoletto, and sings further performances of Alfredo in La traviata with First Coast Opera. In addition, Mr. Romero will be making his debut with the Los Angeles Philharmonic singing Jaquino in their upcoming production of Fidelio under the baton of Gustavo Dudamel, and will also be making his Florida Grand Opera debut as the Duke of Mantua in Rigoletto. Next season, Mr. Romero joins the ensemble of Staatsoper Hannover for various leading roles.
Last season he joined the studio of the Dutch National Opera & Ballet where his roles included Wagner and Nereo in Mefistofele, the Messenger in Aida, and Boy 1 in Trouble in Tahiti as part of the 2021 Opera Forward Festival, which were all unfortunately cancelled due to the COVID-19 pandemic. He also recently debuted the role of Nemorino in L’elisir d’amore in a coproduction with Opera Zuid, Nederlandse Reisopera, Dutch National Opera & Ballet, and was live-streamed through Opera Vision. He was also engaged as an Apprentice Artist with Santa Fe Opera in their productions of Il barbiere di Siviglia, Die Zauberflöte, and Tristan und Isolde, Rusalka, and Huang Ruo’s M. Butterfly as well as engaged to sing concerts with soprano Kristin Opolais with the Hungarian State Opera Orchestra and the Polska Filharmonia, and sang performances of “Land and Sea” with Tampa Bay Symphony.
Other recent performances include B.F. Pinkerton in Madama Butterfly, Don Curzio in Le nozze di Figaro, Rodolfo in La bohéme, the world premiere of Frédéric Chaslin’s Monte Cristo in Los Angeles Opera, Dr. Blind in Die Fledermaus, Albert in Albert Herring, Ottone in L’incoronazione di Poppea, Edgardo in Lucia di Lammermoor, Kaspar in Amahl and the Night Visitors, Danilo in The Merry Widow, Captain Tarnitz in The Student Prince, Tamino in Die Zauberflöte, and Eisenstein in Die Fledermaus. On the concert stage, the tenor has performed Rossini’s Stabat Mater, Bach’s St John Passion, Handel’s Messiah, and Brahms’ Liebeslier Walzer.
Mr. Simerilla Romero is an Award Winner from the Chicago International Music Competition, the Camerata Bardi International Vocal Competition, the Jensen Foundation International Vocal Competition, the Opera Foundation, Metropolitan Opera National Council District Auditions, Kyrenia Opera Vocal Competition, Vienna International Music Competition, Berliner International Music Competition, the Orpheus Vocal Competition, and the Tampa Bay Symphony Jack Heller Competiton.
He has participated in Houston Grand Opera’s Young Artist Vocal Academy, the LA Opera Young Artist Program, the Dutch National Opera & Ballet Studio, the Carnegie Hall Weill Music Institute, and holds degrees from both Valencia College and Stetson University.
"MY COMMITMENT TO AUTHENTICITY WILL BE MY GUIDE."
WHY DO YOU SING ?
"Music has always filled my household. Both of my parents are huge lovers and admirers of classical music and opera. The voices of Mario Lanza, Jussi Björling, Franco Corelli, and the popular Three Tenors surrounded me growing up. Since the crib, I have always enjoyed the emotional connection and joy I feel when listening and singing along with their music. My father is my greatest inspiration. People truly love his voice. He always wanted to be a singer and possessed natural raw talent to succeed, but due to his family's views toward a musical career, he was never given the chance. It's his greatest regret. So when I chose to pursue a career in music, his encouragement became my source of inspiration.
I honestly feel that I have found my true calling. I am never more passionate or feel more free than when I sing. I believe music is truly the most perfect expression of emotion, and as long as I make music and pursue this dream, I know that my commitment to authenticity will be my guide. There are millions of singers with great voices, but many of them don't sing from the heart. Singing with heart is the goal; singing with heart is the key ingredient. Anything less is cheating the audience, and ultimately cheating yourself."